You don’t need a front row seat to get a peek at New York Fashion Week’s best fall designs. We’re bringing them to you, straight from the tents at Lincoln Center and all around Manhattan.
From the moment you stepped inside the vast Park Avenue Armory, you knew Marc Jacobs had something brooding and Russian on his mind.
Two rows of waiters in the entry hall offered shots of vodka, and inside the main gallery the place was painted like the stage set of a dark, Impressionistic salon.
The first models to tromp rather aggressively down the loooong runway were In drag. It soon became pretty impossible to distinguish the models—man, woman?
It didn’t seem to matter. They all looked good in a series of pleated, full-skirted dresses, some sparkling with crystals, topped by nipped-in coats.
Best of both worlds? A clever mixed-media design.
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The shoes, too, were sexy, high, but with a wide, chunky heel—another hint of the line’s underlying practicality. A chocolate, black and garnet patchwork leather maxi coat — there was a maxi skirt to match —was mod, as in Mod Squad.
A tonal patchwork blush leather mini- sheath dress begged to be caressed, while a series of darker dresses and jumpsuits in black and forest green were a bit edgy and futuristic — hardware studded and embellished, slashed, plunging or flashing skin by way of big, revealing cut outs, some had fringy unfinished hems.
There was one bolt of red in the show — a gleaming pebbly, patent pea coat and also super wide-legged and flared pants.
The big chain-link resin and tortoise straps attached to a variety of handbags read like jewelry. Ritzy, cool girls will swoon for this collection.
Forget the tired old fashion cliche “day to night”–Gilles Mendel has in mind something much naughtier or useful, depending on how you look at it.
His collection goes from night to day, he proudly boasts in his program notes–clothes that will take you in style out for a night on the town, and then transition to the office if, ummm Like the slouchy tuxedo pants or lacy negligee jumpsuit tucked into tall boots.
He also takes you from brrr to furrr with an amazing selection of drool-worthy coats–a graphic, black-and-white floral-print intarsia mink coat or cheeky cropped vest, a chocolate mink maxi that looks like corduroy talk about the height of luxuryor a fantastic garnet ermine swing coat.
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Grab that one–and run! It was a winter wonderland at Ralph Lauren on Thursday morning, this, a most welcome theme, based on what may have been the coldest New York Fashion Week ever.
Models were swaddled in cozy cashmere turtlenecks, capes, fringy shawls, ponchos and coats — much of the show styled in luscious shades of truffle and cream.
For evening the layers came off. There were skinny black suits one leather and the most pared down evening gowns, several backed by a single suspender strap, one floral lace number with a tulle overlay.
You’ll find everything you need and want for next fall here It was all about living the high life — literally — at the Marchesa show held at the St.
26.02.2020 – Rabbit Rabbit Rabbit 9. Share on Facebook Share on Twitter. Lennie 4. These Womens MSK solid chiffon wide leg pants features a mesh outer layer and elastic waistband for a comfortable fit. Two rows of waiters in the entry hall offered shots of vodka, and inside the main gallery the place was painted like the stage set of a dark, Impressionistic salon.
There were deep plunges and feathers galore in the frothy mix. One grey tulle confection resembled a cloud of smoke — underneath the puff was sparkling crystal embroidery.
The vibe was stunningly seductive and it was, for the most part, daringly bare.
Overall, a feast for the eye, and though sometimes over-the-top, rest assured there were some definite Oscar contenders here.
There are some fashion shows that generate only a modicum of heat, and even though the label may have a reputation the applause at the end is tepid, perfunctory.
But never—ever—at an Anna Sui show. Every year, she throws her bash in the biggest venue to be had, packing the place with press, buyers, and fans from all over the world.
But then there were the hippie influences—vests and maxi skirts and vivid florals mixed with other prints. And so, as usual, at the end of the show, the crowd…went wild.
In mellow tones of barley, fawn, slate blue and vanilla, there was a sophisticated subtlety here. But every now and then, a girls gotta shine, so for that, brilliant gold embroidered pieces and dahling…caviar beaded gowns, the last, in graphite, worn by Karlie Kloss — Anne Bratskeir.
The hashtag for Nanette Lepore’s fall collection reads poshrebel, and that sums up not only the clothes but the woman who Lepore has had on the brain the last few days.
She noted in her program that the show was dedicated “in memory of the rebel Lesley Gore,” the legendary composer of major ’60s girl group pop hits, like “It’s My Party” and “You Don’t Own Me.
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Those song titles seem tailor-made for the Lepore customer–women with a boho chic, forge-their-own-path sensibility.
The clothes spoke to that–swingy capes and capelet dresses, a nubby, worn in very worn in wool jacket, turtleneck and pants, with some brocade thrown in for a little glitz.
Lepore’s teen daughter, Violet, strutted the runway in a striking velvet lace mini, just as the loudspeakers were filled with the strains of The Ramones’ “She’s a Sensation.
Thanks, mom Who would be the one? Of the 43 models, who would scoop up the lost bag that fell off a model’s utility belt halfway through the Marc by Marc Jacobs show and just lay there in the center of the massive square grass runway?
Anthony chic. A vivid leafy print dappled pants, tops and jackets, and faded denim popped. There was just that series of bell-shaped skirts that looked stiff…maybe a tad uncomfortable.
No matter—the star of the show was the little studded beret worn by each model, a playful nod to…the French Resistance?
Either way, it looked warm, fun. And as for that poor little lost bag? After all the models had tromped by please don’t ask them to do more than walkit remained where it had fallen, till designers Luella Bartley and Katie Hillier ran out and grabbed it taking their bow.
For cocktails and evening: flowers strewn on several columns excellent in black and whitea few saucy very short bell-shaped dresses, and a number of striking gowns including a sultry navy tulle and ultraviolet organza confection topped with navy flower embroidery worn by Kendall Jenner.
She sat front row, next to high profile de la Renta customer, Taylor Swift, both wearing the brand.
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But this was likely intentional and appropriate. The cherubic designer Narciso Rodriguez first made a name for himself with figure-hugging, sexily slit dresses favored by the likes of Julianna Margulies and Julia Louis-Dreyfuss.
Oh, yes, and there was that wedding dress for Carolyn Bessette Kennedy.
Some seasons later, he experimented with volume, in smart architectural pieces, though they perhaps lacked his original heat. This season brings what seems a happy medium: a collection of serene clothes—long, lean, figure-conscious, but allowing enough room, say, to inhale.
The core item: a sheer jersey top, paired with a scuba skirt or high-waist trousers, then topped with a long coat or vest.
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He presented variations on this look in black and white, then in intriguing shades of faint pink and peach. But most intriguing may be his final look: a chalk-white bonded silk top draped diagonally over one shoulder, worn with black pants—simple, unadorned and utterly Narciso.
But never—ever—at an Anna Sui show. sheath cocktail dress with sleeves dresses near me This round neck dress features long sleeves with triple ruffle cuffs.
The knits were plush, the vibe sporty, and the color palette pretty darn specific: black, black, black. Well, almost.
It looked soooo warm.
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Temps outside were 16 degrees, mind you. The opening of his runway was decorated with decadent curtains of Swarovski crystal and opened to reveal a bonafide graffiti artist painting the backdrop.
There were some beautiful black tie gowns and dresses and some outlandish looks too — a white satin and sequined waistcoat with floor grazing tails hello Grammys and the final ensemble that only superheroes or super models could pull off — a crystal beaded romper with a fluttery cape.
What a gas. Designers David Neville and Marcus Wainwright projected video images of the runway—shot from different angles—onto the walls surrounding the audience, so as models walked by you could see them walking in all directions.
It was a heady, multimedia effect, as was the collection, with its unexpected layering a pea coat over lace slip over fleece track-pant, or a leather shirt atop a lurex skirt-and-pant combo its bright colors and sporty Mary Janes.
The eclectic mixing may intimidate some, but it looked fresh, comfortable, chic.
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You can say this for him—Posen knows how to put on a show with sizzle. The finale? Supermodel Naomi Campbell, in a ruby glitter ballgown.
The crowd erupted in cheers. There were tiny micro-mini dresses and skirts embellished to the hilt, floor sweeping brocade vests, wide legged pants and sparkly coats.
Boots were downright wild –studded and crystal dipped — some thigh-high.
Rock on. On a runway backed by lights of city skyscrapers, Karan produced a particularly sultry lineup of chic, urban looks that will have universal appeal.
The juxtaposition of structured, waist-emphasizing tops and jackets virtually everything was belted over ethereal chiffon or organza skirts that flashed ample leg, was intoxicating.
Breakouts: a burnished gold lame and black felt embroidered evening dress we suspect this will be a red carpet contendera brocade curly shearling coat, a lantern sleeve frock of double-knit jersey, and virtually any jacket in the mix.
It was power dressing with a mega-dose of seductiveness — an impactful combination. Shoppers’ lust is sure to hit next season. Two, four, six, eight, who do we appreciate?
Outerwear starred — stadium coats, coach jackets, duffles, shearlings, capes and some iterations done up in faux fur. Saucy dresses and skirts with sliced kick pleats were sometimes topped with bombers or chunky sweaters.
Noted: Victor Cruz was in the house. And Tommy took his bow, holding a football helmet.
There was flutter and bounce to shaped short skirts, while evening dresses boasted undulating seams, wave prints and even silvery hand painted details.
A few looks were cardinal red —an alligator top with wool felt trousers was downright eye-popping.
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Karlie Kloss closed the show in a silky photo printed gown with an ocean blue bodice. She was smiling like Mona Lisa.
The Adirondacks are a far cry from the Himalayas, but no doubt Prabal Gurung raised in Nepal needs a mountain fix now and then. A recent trip to Upstate New York served as inspiration for this collection, with its loose, relaxed fit and serene color palette—alabaster, navy, with sunsetty glimpses of crimson, vermillion.
Dresses featured asymmetrical lace panels, racy slits and spaghetti straps like in the red-hot slip dress and what seemed a deconstructed Fair Isle print particularly eye-catching on a tweed dress and garnet lambskin skirt.
And, oh, those coats—the mink and fox patchwork is a real standout.
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